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Miller Theater Doors, Columbia University

 

A fine if uninspired photograph. I mostly enjoy it for two reasons:

1. I’m amused at how I was able to stand directly, dead center of the doors, and yet avoid having any part of me reflected; and

2. I also like how the door itself is in focus but the reflection of the building across Broadway is blurred.

Minolta SRT-202
Minolta Rokkor 58mm f/1.2
Ilford Delta 400 film pushed.

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Statue of Liberty With Passing Boat Light Trails

 

It was very early in the morning; pre-dawn in fact. I took this shot of Lady Liberty and it needed to be pretty long — 50 seconds — just  to capture enough light. I was not trying for any sort of long-exposure effects and did not expect any. The Statue of Liberty is a statue after all. She does not move except in Ghostbusters 2.  Plus it was so dark that both the water and sky were essentially invisible, rendering the most common form of long exposure effects irrelevant.

So it was a surprise when I looked at the result and saw the light streaks. It was so dark I could not see the boat at all and did not even notice its lights in real time. It just turned out to be a very happy accident.

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Layers

 

Those blades on the roof of the new building spin in the wind, and look pretty neat from the right angle, and can be seen from a fair distance. As of now, if you look at that location on a satellite image map, it still shows an empty lot. Finally, you cannot see it here but I took this standing underneath an elevated subway line. I have another shot of the new building with its fans/blades/art? contrasted with some coiled wire hanging from the elevated that I will feature later on.

 

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Earlier this week I noted that I was a bit wary of posting some of my shots taken with real film, because I sometimes end up falling in love with a shot that has a weak composition or subject, simply because I love the look of the medium.

So here are two cases in point, which I think both fall into that category with a key difference. I think the image above is actually good. Not great, but a solid capture. It is enhanced by being a film image but has additional positive elements. In contrast, the image below is one that would have never taken with a digital camera and that has very little to say for it except that I do really love the way that the red and blue of the dumpster look, and contrast with one another. The loser shot would hold no appeal for me in digital. No matter what processes or plugins I added, it would never look quite like this.

But for all that, the image is nothing special — not because it is a photo of a dumpster, but because I don’t think the entirety of the composition adds up to much. The elements weren’t there.

The top image, however, has something. The colors work again, but there is something more. I think the interrupted flatness of it works.

That’s a lot of words that in the end  add up to an excuse for me to post an image I know isn’t that good but which I can’t let go of.

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  • ehpemJuly 18, 2014 - 9:26 pm

    I really like that first shot – it does have great colours and that nice feel of film, but there is a lot more to it than that. It has a nice balance, the rectangles work well, there are good textures. It would probably work pretty really well in black and white too – it is an interesting photograph. Can’t ask for more than that.

    I have been regressing toward film lately, and find myself posting some pictures I might not bother with if they were digital because I too like the feel.ReplyCancel

Gantry Sunset

 

Gantry Plaza State Park in the Long Island City section of Queens is perhaps my favorite spot to view the Manhattan skyline. Part of the reason why are the gantries themselves, which dominate the left foreground of this shot.

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